Moullinex’s“Darkest Night”, one of the standout tracks from his excellent full-length debut, “Flora”, gets an official music video. The new single, which features vocals from Iwona Swkarek (of Polish duo Rebeka), is out now on Gomma Records, backed with some fine remixes by Xinobi and Kris Menace & Pwndtiac. Peep the video above, and make sure to check out Xinobi’s take on “Darkest Night” below. It’s a great one!
Directed by Silvio Teixeira.
Wednesday, February 27, 2013
Avengers Visual FX
Avengers Visual FX:
I just finished recording 3 hours of training for the Explosive Train sequence so while I finish editing that… check out this amazing demo from ILM on the VFX work for The Avengers. 3 Hours of recorded training is probably 1.5 hours after editing out rendering and bad jokes. Stay tuned, it’s a big series.
I just finished recording 3 hours of training for the Explosive Train sequence so while I finish editing that… check out this amazing demo from ILM on the VFX work for The Avengers. 3 Hours of recorded training is probably 1.5 hours after editing out rendering and bad jokes. Stay tuned, it’s a big series.
VTLZR @Zenith Paris
VTLZR @Zenith Paris:re-blog from 1024 Architecture
Wow, just wow.
We had an amazing show this week end at the Paris Zenith – the show was sold out -
Here are some pictures, which unfortunately do not properly render the mood of the show, as the lights were moving amazingly fast, in sync to the music.
Since we were playing “at home”, we had the opportunity to add a few fixtures to the setup, namely 20 Martin Viper, 20 more Shaprys (60 in total) and a grand total of 32 Atomic Strobs, all remotely controlled by Vitalic’s computer – on stage – from Ableton Live.
It was the perfect show according to our standards, everything went fine, despite 2 computer reboot during the show – thanks to the super tech team nobody noticed – and some heavy hum coming from the Midi cable … grrrr
Next show is in Cran-Montana, Swiss.



And the last one, which looks like a proof that 1024 is actually bending the light … ;) Space Warp anyone ?

Wow, just wow.
We had an amazing show this week end at the Paris Zenith – the show was sold out -
Here are some pictures, which unfortunately do not properly render the mood of the show, as the lights were moving amazingly fast, in sync to the music.
Since we were playing “at home”, we had the opportunity to add a few fixtures to the setup, namely 20 Martin Viper, 20 more Shaprys (60 in total) and a grand total of 32 Atomic Strobs, all remotely controlled by Vitalic’s computer – on stage – from Ableton Live.
It was the perfect show according to our standards, everything went fine, despite 2 computer reboot during the show – thanks to the super tech team nobody noticed – and some heavy hum coming from the Midi cable … grrrr
Next show is in Cran-Montana, Swiss.
And the last one, which looks like a proof that 1024 is actually bending the light … ;) Space Warp anyone ?
James Yuill: “Turn Yourself Around” Video
James Yuill: “Turn Yourself Around” Video:re-blog from La.Ga.Sta

Directed by Alex Emslie.
Filmed in the desert of Tabernas in southern Spain, here’s the official video for James Yuill’s brilliant new single “Turn Yourself Around”, taken from his upcoming third album “These Spirits”, which drops on March 18th via his own label The Happy Biscuit Club.
The video, which features Daniel Taylor, is based on “the Greek myth of Sisyphus who was condemned to push a boulder up a hill only to watch it roll back downhill and to repeat this task forever.” James Yuill’s pledge music campaign is still running, so get involved here. Directed by Alex Emslie.
Monday, February 4, 2013
Abies Electronicus 2.0 videoReport
Abies Electronicus 2.0 videoReport:
Finally, here’s the video report of Abies Electronicus,
shot in Brussels, BE, 2012.
technical info for da nerd:
4 Video Projectors 20k @1024*768
each projector was Space Scanned using MadMapper
Custom QC based software
26 LED rgb fixtures
DMX flashlights
DMX control over the existing facades
Lots of custom QC plugins
Running entirely off a single MacPro
Finally, here’s the video report of Abies Electronicus,
shot in Brussels, BE, 2012.
technical info for da nerd:
4 Video Projectors 20k @1024*768
each projector was Space Scanned using MadMapper
Custom QC based software
26 LED rgb fixtures
DMX flashlights
DMX control over the existing facades
Lots of custom QC plugins
Running entirely off a single MacPro
Labels:
architechture,
art,
installation,
projection,
visual mapping
Wednesday, January 23, 2013
Cool Hunting Video Presents: The Planetarium Projector Museum: A gaze inside the world's largest collection of planetarium projectors
Cool Hunting Video Presents: The Planetarium Projector Museum: A gaze inside the world's largest collection of planetarium projectors:

There are many beautiful things to see on the drive into Big Bear Lake, CA but one of the more interesting and unknown is the Planetarium Projector Museum.
Cool Hunting Video Presents: The Planetarium Projector Museum from Cool Hunting on Vimeo.
There are many beautiful things to see on the drive into Big Bear Lake, CA but one of the more interesting and unknown is the Planetarium Projector Museum.
Cool Hunting Video Presents: The Planetarium Projector Museum from Cool Hunting on Vimeo.
Saturday, December 1, 2012
Monday, November 26, 2012
BIKE SPIKES
BIKE SPIKES: re-blog from Polkadot

Cari ciclisti, ghiaccio e neve non saranno più un problema per voi!
Ci ha pensato il designer Cesar van Rongen, con Bike Spikes.
Bike Spikes è l’equivalente delle catene da neve per le auto, ma per le biciclette. Si tratta di un involucro di gomma, con punte di ferro incorporate, che ricopre lo pneumatico della bicicletta dando una presa perfetta sui tratti ghiacciati della strada. E’ composto da sei parti flessibili, che possono essere facilmente fissate alle ruote di qualsiasi city bike, grazie a un filo metallico che scorre tra di esse in modo che possano essere fissate attorno alla ruota.
E se il ghiaccio si scioglie, Spikes Bike può essere tolto in un attimo e ripiegato in un piccolo e compatto pacchetto.



Cari ciclisti, ghiaccio e neve non saranno più un problema per voi!
Ci ha pensato il designer Cesar van Rongen, con Bike Spikes.
Bike Spikes è l’equivalente delle catene da neve per le auto, ma per le biciclette. Si tratta di un involucro di gomma, con punte di ferro incorporate, che ricopre lo pneumatico della bicicletta dando una presa perfetta sui tratti ghiacciati della strada. E’ composto da sei parti flessibili, che possono essere facilmente fissate alle ruote di qualsiasi city bike, grazie a un filo metallico che scorre tra di esse in modo che possano essere fissate attorno alla ruota.
E se il ghiaccio si scioglie, Spikes Bike può essere tolto in un attimo e ripiegato in un piccolo e compatto pacchetto.
Saturday, November 24, 2012
Thursday, November 22, 2012
Automatically Projection Mapping a 3D, Moving Object: White Kanga Show Stunning Tech
Automatically Projection Mapping a 3D, Moving Object: White Kanga Show Stunning Tech:
Hide’n'Seek – Technology Demo from White Kanga on Vimeo.
Automatically map an object with a projector. Keep the mapping working as the object moves. And, oh yeah, look damned fine while doing it.
That’s the neat trick Poland-based White Kanga have pulled off, powered by TouchDesigner. We’ve been following their work before:
Robotic Mapping Pulls a Model Building, Tron-Like, Into the Virtual
Projection Mapping, with Robotics, Goes Further to Augmenting Reality: MPS Demo [TouchDesigner]
Here, we get to really see it in action. It doesn’t hurt that you get cool graphics visualizing the calibration. It’s an internal tool, but it demonstrates a lot of what’s possible.
I was in Poland for their national day yesterday, but watching this video makes me want to start waving around the white and red flag and cheering on this crew. (Or, if they like, whatever flag/mascot they choose.) Brilliant work.
Labels:
augmented,
innovation,
installation,
technology,
visual mapping
Wednesday, November 21, 2012
Pegase: “Dreaming Legend” Video
Pegase: “Dreaming Legend” Video:

Edited by Pegase.
Following the release of his debut EP “Without Reasons” back in April, Pegase, best known as the lead singer of French band Minitel Rose, returns with his new two-track EP “Dreaming Legend”. Here’s the official video for the beautiful dream pop title track, which you can watch above. The clip was shot in 1976 where we can see the father of Pegase playing a role of an unemployed young man falling into loneliness. The EP is out now on Fvtvr Records. Get it here.
Directed by Paul Jeunet & Alain Goillon.Edited by Pegase.
Monday, November 19, 2012
Para One: “When The Night” (feat. Jaw) Video
Para One: “When The Night” (feat. Jaw) Video:

Looking for some late night fun? Para One’s new video for the soulful groovy tune “When The Night”, featuring Jaw on vocals, is all about chat lines. Peep the full video above and make sure to check out Logo’s ace remix of the track below. Taken from his album “Passion”, out now on Marble/Because Music.
Directed by Ill Studio.
Sunday, November 11, 2012
BenZel & Jessie Ware: “If You Love Me”
BenZel & Jessie Ware: “If You Love Me”:

This track came as a bit of a surprise. South London soul singer Jessie Ware has teamed up with the New York-via-Osaka teenage duo BenZel, comprised of 15-year-old Umi Takahashi and 16-year-old Yoko Watanabe, for a cover of Brownstone’s 1994 R&B hit “If You Love Me”. And it’s so beautiful. This cover comes with a colorful video, directed by Kate Moross, which you can peep above. Also, you can grab the track for free below.
Download here
Tame Impala: “Feels Like We Only Go Backwards” Video
Tame Impala: “Feels Like We Only Go Backwards” Video:

“Feels Like We Only Go Backwards”, one of our favorite tracks on Tame Impala’s second album “Lonerism”, gets a trippy video, directed by Joe Pelling & Becky Sloan. “Lonerism” is out now on Modular.
Strip Steve: “Mega” Video
Strip Steve: “Mega” Video:

Check out the new video for Strip Steve’s “Mega”, a great tune from his debut album “Micro Mega”, out now on Boysnoize Records.
Directed by Theo Pozoga & Loan Calmon.
Thursday, November 8, 2012
The Augmented City: Istanbul’s Data, Made Visible in Glitchy Structures
Our century is marked by a wash of data, flooding out of explosive urbanization. Humans and numbers, it seems, are now densely packed, dynamic, and essential. Yet with that same density, they threaten to become invisible.
The challenge of visualists: break the barrier to reveal that unseen world. Call it data mapping.
“Augmented Structures” is, first and foremost, rather lovely to look at. It’s a kind of architectural performance, in glitching, flickering contrasts of sound and light. Maybe the scale of transformation requires something aesthetic. Here’s what co-creator Refik Anadol has to say about it – thanks, Refik, for sending in your work.


The project in this case is augmented sculpture, beamed onto a structure. But I wonder how this same data might become part of the tapestry of architecture or urban experience. Perhaps that’s not where it belongs – maybe it’s best kept independent, a mirror in art. Whatever the context, it’s only natural that this substance of our age, data, would become artistic medium, rendered in terms as changing and fluid as it is.
More:
Augmented Structures v1.1 : Acoustic Formations / Istiklal Street from Refik Anadol on Vimeo.
Augmented Structures v1.1 : Acoustic Formations / Istiklal Street from Refik Anadol on Vimeo.
The challenge of visualists: break the barrier to reveal that unseen world. Call it data mapping.
“Augmented Structures” is, first and foremost, rather lovely to look at. It’s a kind of architectural performance, in glitching, flickering contrasts of sound and light. Maybe the scale of transformation requires something aesthetic. Here’s what co-creator Refik Anadol has to say about it – thanks, Refik, for sending in your work.
‘Augmented Structures v2.0′ by Refik Anadol and Alper Derinbogaz is a distilled urban experience project which focuses on two dissimilar regions in istanbul and displays the inner characteristics of the texture of a city-center that has undergone a recent transformation within a suburban region consisting of gated communities. Presented at Istanbul Design Biennial within the ‘Musibet’ exhibition curated by local architect Emre Arolat, the work is based on soundscape and data mapping of two regions reveals the invisible information about their context and suggests an alternative way to understand the existence of urbanization through new media technologies.
By bringing disparate disciplines like sound, architecture and visual arts together, the development re-examines the world in aesthetic terms, in its capacity as an ‘interdisciplinary transformation’. ‘augmented structures series forces each discipline to alter its own ‘material’ state; transforming sound into mathematics, mathematics into architecture and architecture into a living structure, while presenting the viewer with a new media experience that is multi-levelled, produces sound, moves and breathes.’
The project in this case is augmented sculpture, beamed onto a structure. But I wonder how this same data might become part of the tapestry of architecture or urban experience. Perhaps that’s not where it belongs – maybe it’s best kept independent, a mirror in art. Whatever the context, it’s only natural that this substance of our age, data, would become artistic medium, rendered in terms as changing and fluid as it is.
More:
The team is diversified by sound designer Kerim Karaoglu and parametric designers Coşku Cinkılıç, Koray Bingöl. — at Istanbul Modern | Istanbul Museum of Modern Art.From the same artist, Refik Anadol, here’s an intervention in urban space, with more fluid projections – and, again, a sonic element:
Thanks to; IKSV, Emre Arolat, Nil Aynalı, Özlem Yalım Özkaraoğlu, Salon2, Antilop, Can Buyukberber, Başar Yurtçu.
Augmented Structures v1.1 : Acoustic Formations / Istiklal Street from Refik Anadol on Vimeo.
Augmented Structures v1.1 : Acoustic Formations / Istiklal Street from Refik Anadol on Vimeo.
Augmented Structures v1.1 : Acoustic Formations / Istiklal Streetaugmentedstructures.com
Architecture and (Media) Design are art forms that exist independently from one another. Over the last few years they have been growing together. They are entering into symbiotic dependencies and stimulations. Against the background of the information technologies, architecture has gained a new reality. No longer are objects or processes the constituting elements of a building. Now they are described as technical networks of communicating nodes, which balance themselves in contrived patterns.
“Augmented Structures v1.1 : Acoustic Formations/Istiklal Street” is an augmented structure, an installation by Refik Anadol and Alper Derinboğaz which is created through the use of innovative parametric architecture and audiovisual techniques. The projects deals with a new mediated space: How to translate the logic of media into architecture? In this first experiment field recordings of Istiklal Street will be transformed in to parametric architectural structure. The recordings were made by Kerim Karaoglu who also used these recordings to create an electro-acoustical composition. The project seeks interactions between space, sound, visual and light. A similar connection between architecture and media has been experienced in Philips Pavilion of Le Courbusier in 1958.
Beyond being an artwork this installation is an urban experience. The scale of surface, 2000sqm, and the dominance of the location will definitely take place in collective memory of İstiklal Street visitors.
There will be an exhibition opening on 20th of September at 19:30 in relation to this façade installation which showcases experiments of architecture- sound – visual correlations of Refik Anadol and Alper Derinbogaz.
During the night visual performance will be projected on the structure which will be accompanied with a generatively designed contemporary aesthetic visuals consisting of input data from the recordings and their transformed versions synchronized to the movement of graphics re-shaping and transforming the structure on which they are projected. The structure in turn influences and transforms the projections as well.
For more information: augmentedstructures.com
Refik Anadol / New Media Artist
refikanadol.com
Alper derinbogaz / Architect
salon2.info
Sound Design: Kerim Karaoglu
VVVV Realtime Graphics: Sebastian Neitsch
Projection Infrastructure: Visio-vox
Labels:
architechture,
augmented,
installation,
interactive design,
visual,
visual mapping
Monday, November 5, 2012
An Ethereal Water Projection in Belfast
An Ethereal Water Projection in Belfast:
DSNT// Water Projection from DSNT on Vimeo.
Expect some serious brightness to make it work, but water can be an ethereal, otherworldly surface for light, blurring the lines between substance and image.
Oisín O’Brien of DSNT sends this brief but beautiful work from Belfast. DSNT are busy, too, providing both musical content and visual design for this creation.
Oisín shares some technical details with CDM:
DSNT// Water Projection from DSNT on Vimeo.
Expect some serious brightness to make it work, but water can be an ethereal, otherworldly surface for light, blurring the lines between substance and image.
Oisín O’Brien of DSNT sends this brief but beautiful work from Belfast. DSNT are busy, too, providing both musical content and visual design for this creation.
Oisín shares some technical details with CDM:
The screen of water was created by a series of jets which where mounted on the & floated out into the lake. The jets created a haze which carried the light, to get the amount of light that was needed we used a 12k lumens christie projector.Specifics:
Visuals on misty water screen.
Projector provided by third source.
Track : Mark Rogan – Paranoia (FSG Remix) – DSNT Records
Wednesday, October 31, 2012
Video: Behind The Scenes of Flying Lotus’ “Layer 3″ Visuals
Video: Behind The Scenes of Flying Lotus’ “Layer 3″ Visuals:
We're always fascinated by new concepts for onstage DJ and live performance booths, and after taking an office field trip last week to see Flying Lotus in Oakland, we were excited to see this new video crop up from Red Bull Music Academy. The... Read more
We're always fascinated by new concepts for onstage DJ and live performance booths, and after taking an office field trip last week to see Flying Lotus in Oakland, we were excited to see this new video crop up from Red Bull Music Academy. The... Read more
Sunday, October 28, 2012
Mapping, Beyond Projectors: ArKaos Adds Serious Plug-and-Play Pixel, LED Features
Mapping, Beyond Projectors: ArKaos Adds Serious Plug-and-Play Pixel, LED Features:re-blog from CreateDigitalMotion

ArKaos promises to make output to LED surfaces easier. Marco from ArKaos explains what we see here: “[This is the] Kling-Net mapper working with MediaMaster in Simple mode. In simple mode each layer can be sent to the video mapper or the Kling-Net mapper. In this screen shot layer 1 goes to Kling-Net and layer 2 goes to the video surface.”
It sounds like the computer system on a Bird of Prey on Star Trek, but Kling-Net is at the heart of where VJ and media server maker ArKaos – and a lot of the live visual world – is headed. Forget the phrase “projection mapping,” and think “video mapping” and “pixel mapping.” Yes, projectors will still be a big part of live visuals. But they’ll be just one outlet for visual performance, alongside increasingly-sophisticated LED lighting. And LED lighting is increasingly looking like a major choice in installations.
Let me put that in less technical terms: more bright shiny, shiny from the LEDs.
So, LED is amazing technology for visualization. But it can also be amazingly hard to set up. The race now becomes about how to make that technology easier to access. ArKaos’ play is doing just that with Kling-Net. (Kahplah! Sorry, I’ll stop that now.)
It’s not rocket science to do cool stuff like this with pricey media servers sold for expensive applications. But what about the independent visual artists, the experimental creators pushing the envelope? The good news is, ArKaos is bringing the same media server tech back to GrandVJ, an app that’s far more affordable.
Marco Hinic is engine architect and CEO of ArKaos and creator of Kling-Net. (I love that, in this business, the engineers typically run the show.) Marco tells CDM about what their goals are for the tech:

Kling-Net is a complex technology, so I’ll do two things. First, I’ll direct you to ArKaos’ site that explains how this works:
Kling-Net @ ArKaos
Second, I ask you to tell us what your experience is with these kinds of applications, and what you’d like to know. We’re fortunate enough to get to talk directly to Marco about the technology he engineered, so, seriously, ask anything. I look forward to your questions.
http://arkaos.net/
ArKaos promises to make output to LED surfaces easier. Marco from ArKaos explains what we see here: “[This is the] Kling-Net mapper working with MediaMaster in Simple mode. In simple mode each layer can be sent to the video mapper or the Kling-Net mapper. In this screen shot layer 1 goes to Kling-Net and layer 2 goes to the video surface.”
Let me put that in less technical terms: more bright shiny, shiny from the LEDs.
So, LED is amazing technology for visualization. But it can also be amazingly hard to set up. The race now becomes about how to make that technology easier to access. ArKaos’ play is doing just that with Kling-Net. (Kahplah! Sorry, I’ll stop that now.)
It’s not rocket science to do cool stuff like this with pricey media servers sold for expensive applications. But what about the independent visual artists, the experimental creators pushing the envelope? The good news is, ArKaos is bringing the same media server tech back to GrandVJ, an app that’s far more affordable.
Marco Hinic is engine architect and CEO of ArKaos and creator of Kling-Net. (I love that, in this business, the engineers typically run the show.) Marco tells CDM about what their goals are for the tech:
Kling-Net has been designed to create plug and play LED devices and we are converting more and more manufacturers to work with us. There is nothing else like that on the market and we hope it will enable a new level of integration for many users.The other side of the equation, apart from ArKaos’ software, is the lighting fixtures. Recently, ArKaos announced Chauvet is bringing Kling-Net support to their lighting, which you can see in the video and image below.
The good news is that we will also support Kling-Net in GrandVJ. Indeed this why we are late with releasing GrandVJ, while working on the video mapper in MediaMaster we added the functionality where a layer can be sent to a mapping surface and / or to Kling-Net – ArtNet. To support that in GrandVJ we need to rework it’s core engine and that’s what we are doing now… We are now looking forward to present that at NAMM with ADJ. Ed.: NAMM is the music trade show in California held in January. Mark your calendars. -PK
Chauvet’s EPIX strip product, as seen in a permanent club installation at Ft. Lauderdale, Florida’s club Off the Hookah.
http://www.chauvetlighting.com/Kling-Net is a complex technology, so I’ll do two things. First, I’ll direct you to ArKaos’ site that explains how this works:
Kling-Net @ ArKaos
Second, I ask you to tell us what your experience is with these kinds of applications, and what you’d like to know. We’re fortunate enough to get to talk directly to Marco about the technology he engineered, so, seriously, ask anything. I look forward to your questions.
http://arkaos.net/
Labels:
installation,
motion,
technology,
visual,
visual mapping
Thursday, October 18, 2012
Solar System Kaleidoscope, As Monokle “Swan” Video Explores Mystical Night Sky
Solar System Kaleidoscope, As Monokle “Swan” Video Explores Mystical Night Sky:
Monokle (aka Vlad, of St. Petersburg) gets a mesmerizing new video for his track “Swan.” It’s the work of Bucharest-born, 23-year-old artist Alina Anca, spinning the glitchy goodness of Monokle’s music into a magical study of pattern and outer space.
Anca’s own work delves into the esoteric and surreal, never without some youthful fancy – the kind of spirit that sets work apart from the mundane. She’s a nice foil to the album artist for this release, Argentinian Carolina Nino.
In fact, with a growing number of young artists exploding into these sorts of releases, I’m eager to see what musical-visual collaborations may emerge, particularly as these same creatives grow.
The music is out this week on Ki-Records.
Music: www.facebook.com/monokle
Monokle (aka Vlad, of St. Petersburg) gets a mesmerizing new video for his track “Swan.” It’s the work of Bucharest-born, 23-year-old artist Alina Anca, spinning the glitchy goodness of Monokle’s music into a magical study of pattern and outer space.
Anca’s own work delves into the esoteric and surreal, never without some youthful fancy – the kind of spirit that sets work apart from the mundane. She’s a nice foil to the album artist for this release, Argentinian Carolina Nino.
In fact, with a growing number of young artists exploding into these sorts of releases, I’m eager to see what musical-visual collaborations may emerge, particularly as these same creatives grow.
The music is out this week on Ki-Records.
Music: www.facebook.com/monokle
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