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Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Wednesday, February 27, 2013

VTLZR @Zenith Paris

VTLZR @Zenith Paris:re-blog from 1024 Architecture
Wow, just wow.

We had an amazing show this week end at the Paris Zenith – the show was sold out -

Here are some pictures, which unfortunately do not properly render the mood of the show, as the lights were moving amazingly fast, in sync to the music.

Since we were playing “at home”, we had the opportunity to add a few fixtures to the setup, namely 20 Martin Viper, 20 more Shaprys (60 in total) and a grand total of 32 Atomic Strobs, all remotely controlled by Vitalic’s computer – on stage – from Ableton Live.
It was the perfect show according to our standards, everything went fine, despite 2 computer reboot during the show – thanks to the super tech team nobody noticed – and some heavy hum coming from the Midi cable … grrrr
Next show is in Cran-Montana, Swiss.

VTLZR-zenith-01

VTLZR-zenith-02

VTLZR-zenith-03

And the last one, which looks like a proof that 1024 is actually bending the light … ;) Space Warp anyone ?

VTLZR-zenith-04

Saturday, November 24, 2012

VTLZR: live in Rockhal NEW 1024 Architect's work of art

VTLZR: live in Rockhal:
Tonight in Luxembourg at Rockhal.








Tuesday, October 9, 2012

Amon Tobin ISAM 2.0 – Leviathan

Amon Tobin ISAM 2.0 – Leviathan:Posted on Motionographer



Chicago-based studio Leviathan crafts a creative projection-mapped piece to provide an immersive stage experience for Amon Tobin’s ISAM 2.0 tour.  Check out the making of video here.

Amon Tobin : ISAM case study from Leviathan on Vimeo.

Monday, August 6, 2012

Deadmau5′s New Performance DJ Setup


re-blog from djtechtools.com
Over the weekend at Toronto’s Veld Music Festival, Deadmau5 showed off part of brand new live performance setup (see below for full video) that features a massive touch screen with controls for individual note triggering as well as loop triggering and level/parameter adjustment. While visually very similar to a performance of his at Earl’s Court a year and a half ago (which featured a touchscreen Holodesk), the interface and technology here are clearly different.
Deadmau5 also announced over the weekend that he’ll be cooling down in terms of new high-intensity projects, so it could be a bit before we see more of this interface onstage.
WARNING: Turn down your volume before watching this video, as it has highly distorted sound! 

Tuesday, January 17, 2012

Shut Up and Play the Hits (Trailer)

Shut Up and Play the Hits (Trailer):

Shut Up and Play the Hits (Trailer)

A documentary about LCD Soundsystem’s final show – aka “the best funeral ever” – with additional focus on frontman James Murphy, who was the one who decided to break up the band.


Friday, October 21, 2011

Plastikman Visuals, Condensed to 60 Seconds

Plastikman Visuals, Condensed to 60 Seconds:re-blog from Create Digital Motion


Pacing live visuals over the course of a performance can be a key to its success, so it makes this 60-second timelapse of the Plastikman (Richie Hawtin) show all the more compelling to watch. You have a sense in this condensed version of how color and imagery are mapped to the flow of the performance, and the amount of constraint required to make that consistent. (Style differs – I’ve seen plenty of visual performers get more hectic than this in 60 real-time seconds. It works for some, not as much for others.)

Ali Demirel & Jarrett Smith of Canada-based Derivative Inc., using Derivative’s TouchDesigner application, designed the visuals in the show.

I would say more, but then it might take you longer to read this post than to watch the vi

(buzz!)

http://plastikman.com/

http://www.derivative.ca/Plastikman/

http://www.derivative.ca/plastikman/Tech/

Sunday, September 4, 2011

Identity Festival – Albuquerque, NM Recap

Identity Festival – Albuquerque, NM Recap:re-blog from Chemical Jump





Any big artist coming to my corner of the world in Albuquerque is a very rare treat, but having a whole electronic music festival a 20 minute drive from my house was nothing short of amazing. Read on for my full recap!



 

(Click the pictures for a larger view)

The day started out pretty well with The Eye getting everyone ready for the day. He was a bit rough in the mixing department, although he was the only one to use Serato with 1200s instead of CDJs, so I can forgive him for a few slip-ups. I was about ready to head to another stage when about half way through his set I got a nice little surprise in the form of a track he dropped by my good friends, No Body. After that I knew I had to stay for his whole set.
No Body – We Speak American (Original Mix) (320 kbps)
I made my way over to the main stage next to catch a little bit of Afrobeta, Jessie and The Toy Boys, and Booka Shade who were all more phenomenal than I expected. Plus, Jessie was looking awfully smoking hot in her outfit.













Next up back over on the Dim Mak stage was Le Castle Vania. I actually ran into him about an hour before his set and introduced myself briefly. It seemed like he was on a mission to go somewhere or do something since I got a wild deer in the headlights look like he’d never heard of Chemical Jump. When I tweeted him about it later he said he definitely had, so I guess I just caught him at a weird time.




Anyway, his set was just as I expected it would be. He played a few new tracks of his which went over really well with the crowd. Though as with every unreleased track the crowd didn’t start jumping up and down until about a second after the drop. Always fun to watch. I’m hoping more people noticed than just me, but him and The Eye both played one of my favorite Darth & Vader remixes.
Freefire – Dataloss (Darth & Vader Remix) (320 kbps)




Holy Ghost was up next on the Dim Mak stage. At this point I just wanna note that I headed over to the Rockstar Energy drink tent and loaded up on about 6 cans, so I was completely wired and wide eyed for their whole performance.




I’m not too familiar with Holy Ghost tracks sad to say, but I did recognize he first single off their debut release and huge crowd pleaser, Do It Again. I’m always on the fence about live bands. When I hear a track on the album I want to hear that track exactly the same way live. I noticed a bit of improv in their set, but other than that they stuck with the tracks to the T and it was more than enjoyable time.
Holy Ghost – Do It Again (320 kbps)




Rusko was definitely one of the most fun at the festival to watch and listen to. Dubstep is very much a second genre for me, so to listen to someone who truly knows how to play and producer it well is a real treat. His signature mohawk was cut a bit short but that didn’t stop him for bobbing to the wobble and throwing down so many good tracks I’d never heard before. And of course he played one of his better known tracks, Da Cali Anthem.
Rusko – Da Cali Anthem (320 kbps)




A bit before the end of Rusko’s set I went back over to the Dim Mak stage (really the best place to be at the festival) to catch a bit of Nero. Blown the fuck away is all I really need to tell you about that show. Enough though only Joe Ray came out to play, it was hands down the best act of the day. I talked with a friend of mine who said Nero was a bit of a train wreak at HARD summer, so I was thankfully I got to see a good show. He even mixed in beautifully the original Chop Suey by System Of A Down for his closer.
Notable tracks played:
Doctor P – Tetris (320 kbps)
SebastiAn – C.T.F.O. (Feat. M.I.A.) (Nero Remix) (256 kbps)




Steve Aoki. What can I really say about Steve? He’s an amazing entertainer and He played a ton of unreleased tracks.. That’s about it. Though seriously, he played 3 new unreleased tracks by himself, probably collaborated with other artists (one was a Weezer collab confirmed by himself over the mic) and at least a couple more future Dim Mak releases. He had the longest timeslot of the day on the Dim Mak stage at an hour and a half, so as usual he played nearly every track out to the full length before mixing out. I’m not hating on him for it, but personally it just annoys me when a song is played for more than 2 minutes. I’ve got serious music ADD, I know.




Later he got out his signature inflatable raft out to do a bit of crowd surfing and brought out a bottle of champagne to spray over the front row of the crowd.






Kaskade was another one of the best acts of the night. Opening up with his latest single Eyes sold me on the performance. House music has been growing on me this past year and seeing Kaskade play some of my favorite tracks at an incredibly loud volume with the bass thumping was incredible. Turning to my side and seeing the girl singing look at me and sing Laidback Luke’s remix of Cinema along with me made my night.

Benny Benassi feat. Gary Go – Cinema (Laidback Luke Remix) (320 kbps)
Kaskade ft Mindy Gledhill – Eyes (Extended Mix) (320 kbps)

Even with several acts dropping off (Erol Alkan, Aeroplane, DJ Shadow, LA Riots) and the outrageous $13 beers, overall I’d say Identity was a success for a first year festival. I’m looking forward to attending the festival in the years to come even if it means flying or driving to another state. Let me know who your favorite act of Identity was in the comments!
P.S. I took a lot more pictures than just these! Go over and take a look at all the photos on Chemical Jump’s Facebook Page!

Friday, May 6, 2011

The Creators Project Coachella

The Creators Project Coachella:

Lights and music collide for a fantastic display of digital technology at California's Coachella festival

soundfury2.jpg

The concept behind The Creators Project is not new—mix the social, the artistic and the scientific. The resulting experiences the initiative produces though, is astounding. Founded by Vice Magazine and Intel, the altruistic enterprise seeks to support the creative community through a series of collaborations that push the boundaries of digital technology. At this year's Coachella music festival, the team worked with the British multi-disciplinary collective United Visual Artists and Goldenvoice concerts on a 3D Rubik's Cube-like installation of light and music, unfolding over three days on Coachella's main stage.


Using bespoke software and LED light projection, UVA have created an immersive experience that will serve as both a platform for performance and as a standalone light and sound sculpture. To top it off, Vice has chosen key bands—Interpol, Animal Collective and Arcade Fire—to program distinct visual identities to coincide with their live performances. For the Arcade Fire show, 2,000 lightweight balls equipped with LED lights and infrared receivers will be released into the crowd. As the balls drop, they'll be controlled by a series of IR transmitters, altering the LED effects in each ball, and painting various lighting designs across the crowd for an effect that feels like a New Years Eve Balloon drop meets War of The Worlds.


soundfury1.jpg


Through The Studio, a sector of The Creators Project that aims to encourage collaboration between artists, a number of smaller installations will illuminate the festival. Director Jonathan Glazer is working with the band Spiritualized to create a physical manifestation of their best-known song, 'Ladies and Gentlemen, We Are Floating in Space,' which will be an arched cathedral of light and sound. Interpol is working with David Lynch, playing with the notion of surveillance, and Black Dice and Animal Collective have collaborated on a video.


soundfury3.jpg

The Creators Project is not only making visuals we actually want to watch, but it's also adding a whole new dimension to watching live music. We wish Pink Floyd was still around to see this.


Sunday, May 1, 2011

Wearables: CuteCircuit Turns Katy Perry into Interactive Digital Scenography; Fashion Visualists

Wearables: CuteCircuit Turns Katy Perry into Interactive Digital Scenography; Fashion Visualists:re-blog from Create Digital Motion


Making Katy Perry extraterrestrial, the work of CuteCircuit. Photo by KatyPix.com

Digital visual effects need not be limited to projection. CuteCircuit have been one of a select handful of designers pushing the envelope with wearables. Here, Katy Perry becomes their celebrity canvas, in what I expect will be one of the only-ever appearances of American Idol on CDM.

The actual costume design, though, is fantastic. Thousands of interactive LEDs are a digital mirror to the countless sparkling Swarovski crystals that festoon the garment, with UK-based sculptor Yasemen Hussein adding her striking Baroque extraterrestrial forms. (She’s not a digital artist, but check out her work.)

EXTRA-TERRESTRIAL KATY PERRY IGNITES AMERICAN IDOL IN CUTECIRCUIT [CuteCircuit news item]

I’m struck in a way that there isn’t more of this sort of work – perhaps because the challenges of interactive circuitry atop the challenges of conventional fashion design weed out the pack. The enabling factor may be the growth of LED light sources, which, against all technical odds, humanity is betting can replace incandescent and fluorescent sources in the coming years. Better LED tech can only mean better LED garments, if innovative manufacturers can pull it off.

CuteCircuit have certainly been at the forefront of this nascent field. The co-founders themselves lie at the intersections of disciplines – Francesca Rosella came from fashion design and the likes of Valentino and Esprit; Ryan Genz was a designer, musician, and, yes, “anthropologist.” Together, they formed the smart textile fashion firm in London.

CuteCircuit productize their work, a bit more of which I’ve sampled below.

But what’s significant here is that the interactive quality of the garments make them more than just sparkly effect. They become dynamic, controllable canvases for live visual performers. Just as projection mapping (really, just more creative projection) has expanded the palette of the VJ and visualist, so, too, can garments that themselves become interactive visual surfaces. Watch that result with Katy Perry, and other garments below:





Safura’s Dress, powered with 5400 LEDs, displays real-time video at Eurovision finals



The Kinetic Dress drives the EL wire based on movement, making the person moving in the garment the performer.



And for sheer quantity of LEDs, here’s CuteCircuit’s GalaxyDress at MSI – some 24,000 LEDs.





With enough LEDs, video can absolutely become practical. In the video above, Hussein Chalayan’s dresses become video surfaces, as seen in the studio of Moritz Waldemeyer.

Not CuteCircuit-specific, but here’s a feature on wearable tech from 2009:

Sunday, April 24, 2011

Canal+ shows how to get ahead in the movies

Canal+ shows how to get ahead in the movies:re-blog from CR Blog





French TV channel Canal+ has a released a witty series of ads, devised by BETC Euro RSCG in Paris, that emphasise its commitment to helping filmmakers...

The ads use beautifully designed flowcharts (inspired by New York magazine, perhaps?) to highlight the many twists and turns that can occur when making a movie, and some of the solutions. Each one tackles a different genre, including action, horror and porn, and feature many amusing outcomes. Shown below are three of the full ads, alongside details of each.













Update: We've had to remove the porn film chart as apparently Canal+ aren't happy with that one being released to the wider world. I've replaced it with one for making an animated film, which I'm sure you'll all find equally amusing.

Credits:
Agency: BETC Euro RSCG
Global creative director: Stéphane Xiberras
Creative director: Olivier Apers
Creatives: Gregory Ferembach, David Troquier
Illustrator: Les Graphiquants

Wednesday, April 6, 2011

Cut Copy debut new stage prop: a door [via the Home Depot]. What does it mean???

Cut Copy debut new stage prop: a door [via the Home Depot]. What does it mean???: re-blog from HipsterRunoff
Photos via http://www.brooklynvegan.com/archives/2011/04/cut_copy_played.html

photos by Diana Wong



Cut Copy recently played some show... but more importantly, it seems like they are 'debuting' a new on-stage gimmick. They brought some random door on stage, which I think is supposed to be a metaphor. Maybe this proves that 'at the end of the day', most diy projects start at the Home Depot, whether you are mainstream or alt.

Many alts all over the world are wondering, "How did they use the door? How did it integrate into their live sound and really improve their live presence?"

They walked out of it and said hello.



I think they also 'projected some crap on it', or maybe they built a custom TV on the door.






Do u think this is a better gimmick than the 'huge plywood X' that The xx constructed?



Maybe even better than the Daft Punk pyramid?

AnCo's generic 'trippy' visuals?

The taxidermy that Grizzly Bear has on stage?

The cadaver that Salem has on stage?

The exiled 'Trail of Tears' wave that Neon Indian has on stage?

It seems s0 difficult 2 be a buzzband, and have to come up with a compelling stage show. Obama really needs to give some tax breaks for buzzbands so they can really optimize their stage setups...

Dan Whitford looks totally hot... Sorta have a fantasy where we get married and do home improvement projects every weekend. Tiling. Installing new light fixtures. Gardening. Installing a pond in our backyard. Sponge painting. Taking our 4 walls and adobe slabs 2 the next level....



Which buzzband has the #1 on-stage setup?

Is this a 'good gimmick' by Cut Copy?

Is Cut Copy now a 'Home Improvement-wave' band?

Monday, November 29, 2010

Underworld - Live on TV!

Underworld - Live on TV!:re-blog from The Beatery
I’m supposed to be writing a SYTYCB article but it’s having trouble manifesting itself so in the meantime please enjoy a video of Underworld performing Always Loved a Film live on Late Night with Jimmy Fallon. Their television performances are rare, and it is a neat way to get a well-lit look at their live setup. Not sure why they brought all the guitars and other things. Hopefully they played more than one song and didn’t just set them up for show.

Saturday, October 23, 2010

Daft Punk joins Phoenix on stages. ARE THEY BACK?

VIDEO: Daft Punk joins Phoenix on stage, seems totally pointless/lame from Hipsterrunoff




Every now and then, 2 bands will 'collab' on stage just to produce a bloggable meme that every1 has to blog because there is so much brand synergy that u can't 'pass it up', u have to let ur readers know that it was a meaningful experience, and if ur life was meaningful, u would have been there 2 experience it. Just read a bunch of blogs 'flipping their shit' abt Daft Punk joining Phoenix on stage. Watched like 10 minutes of shaky youtube clips trying to ascertain whether or not this was amazing/bloggable, but decided to go ahead and post it so u can have the same empty feeling inside as me.



Check out these entry levelers 'flipping their shit.' H8 collabs of bands on stage where they are clearly just trying to 'meme' and don't really ever unify their sound.



I remember back in the day, before Phoenix was mainstream and Daft Punk wasn't rlly a universal brand, I probably woulda vibed to this. Maybe in like 2k4. But c'mon. It's 2k10. Not gonna get excited about this entry-level mainstream collab going down at Madison Square Garden.

Here is another snuff-esque clip. U don't have to watch it. Really unfulfilling.



Here is some video clip by some guy who is sitting in the last row of the mainstream arena, but still felt inspired 2 capture this moment 4 youtube.



Should Daft Punk join Phoenix?

Do u think these French Indie Wavers are 'taking over America'?

Should America prevent French bands from 'getting too mainstream' and stealing our buzz dollars?

Are French ppl better at music than Americans?

Do they 'get' pop music?

Is Phoenix the most successful indie band in the history of indie?

Do u wish u were at Madison Square Garden to be a part of this epic moment in indie history?

Do u feel insignificant cuz u weren't there?

Do u think they made 'beautiful sounds' or were they 'forcing it' and it ended up making them both sound/look dumb?

Are Phoenix + Daft Punk 4 lamestreamers?

Wednesday, October 20, 2010

Deadmau5 i5 @ Treasure Island Music Festival 2010





This new Deadmau5’s new live set-up is a Daft Punk rivaling semi-cube of visual wizardry!

Sunday, October 10, 2010

Gorillaz in Concert




The virtual rock band performs an exclusive concert from the Ed Sullivan Theater on October 7,