Benjamin Ducroz: Points in Space:
POINTS IN SPACE from ducroz on Vimeo.
Benjamin Ducroz mixes materials like plywood, thread, nails, printouts, and watercolor with his 3D animations to create film such as Phosphene and Press+. His most recent film, Points in Space, uses 1,050 individual a0 sized frames with long exposure photography to explore the flowing movement around Melbourne.
MAKING OF POINTS IN SPACE from ducroz on Vimeo.
points in space
director : benjamin ducroz
sound : singlesignal
producer : ashlee arnold
assistant animator : hamish storrie
volunteers : amber chou, radhika chopra, jane smith, toby feldman
year : 2011
duration : 1″13
Posted on Motionographer
Showing posts with label time-lapse. Show all posts
Showing posts with label time-lapse. Show all posts
Monday, June 25, 2012
Friday, October 21, 2011
In 36,000 Photos, Melting Ice Animations Set to Silky-Smooth Mimi Goese + Ben Neill Music
In 36,000 Photos, Melting Ice Animations Set to Silky-Smooth Mimi Goese + Ben Neill Music:
It’s hard to say enough good things about the music video for “Persephone” by Mimi Goese and Ben Neill, so let’s keep it short:
40 blocks of ice (25 L of water), in 40 timelapses of four hours, are strung into some 36,000 photos of stop-motion animation. Stop motion might just rest on its visual spectacle, but in the hands of director Christophe Thockler, the results are positively cinematic, too, and oddly poignant.
With sound on mute, that would be wonderful to watch, but instead, you get to enjoy the music of trumpet player/technologist Ben Neill and vocalist Mimi Goese in a silky, sexy-smooth track that might melt you like so many blocks of ice.
The artists:
http://www.mimigoeseandbenneill.com/
http://www.christophethockler.com/
On that video – Oberon by Mimi Goese & Ben Neill, available on the special edition of “Songs for Persephone,” along with, of course, the track in the music video.
It’s hard to say enough good things about the music video for “Persephone” by Mimi Goese and Ben Neill, so let’s keep it short:
40 blocks of ice (25 L of water), in 40 timelapses of four hours, are strung into some 36,000 photos of stop-motion animation. Stop motion might just rest on its visual spectacle, but in the hands of director Christophe Thockler, the results are positively cinematic, too, and oddly poignant.
With sound on mute, that would be wonderful to watch, but instead, you get to enjoy the music of trumpet player/technologist Ben Neill and vocalist Mimi Goese in a silky, sexy-smooth track that might melt you like so many blocks of ice.
The artists:
http://www.mimigoeseandbenneill.com/
http://www.christophethockler.com/
On that video – Oberon by Mimi Goese & Ben Neill, available on the special edition of “Songs for Persephone,” along with, of course, the track in the music video.
Plastikman Visuals, Condensed to 60 Seconds
Plastikman Visuals, Condensed to 60 Seconds:re-blog from Create Digital Motion
Pacing live visuals over the course of a performance can be a key to its success, so it makes this 60-second timelapse of the Plastikman (Richie Hawtin) show all the more compelling to watch. You have a sense in this condensed version of how color and imagery are mapped to the flow of the performance, and the amount of constraint required to make that consistent. (Style differs – I’ve seen plenty of visual performers get more hectic than this in 60 real-time seconds. It works for some, not as much for others.)
Ali Demirel & Jarrett Smith of Canada-based Derivative Inc., using Derivative’s TouchDesigner application, designed the visuals in the show.
I would say more, but then it might take you longer to read this post than to watch the vi
(buzz!)
http://plastikman.com/
http://www.derivative.ca/Plastikman/
http://www.derivative.ca/plastikman/Tech/
Pacing live visuals over the course of a performance can be a key to its success, so it makes this 60-second timelapse of the Plastikman (Richie Hawtin) show all the more compelling to watch. You have a sense in this condensed version of how color and imagery are mapped to the flow of the performance, and the amount of constraint required to make that consistent. (Style differs – I’ve seen plenty of visual performers get more hectic than this in 60 real-time seconds. It works for some, not as much for others.)
Ali Demirel & Jarrett Smith of Canada-based Derivative Inc., using Derivative’s TouchDesigner application, designed the visuals in the show.
I would say more, but then it might take you longer to read this post than to watch the vi
(buzz!)
http://plastikman.com/
http://www.derivative.ca/Plastikman/
http://www.derivative.ca/plastikman/Tech/
Monday, January 3, 2011
2011 is the new 2010 HAPPY NEW YEAR!
Eiffel Tower on Fire from Alta Media Productions on Vimeo.
This is a Timlapse Sequence of the 14th of July fireworks in Paris, France. It's the anniversary of the French Revolution and also the 120th anniversary of the Eiffel Tower. Around 700 000 people gathered in front of the monument to see the pyrotechnics following a free concert by Johnny Hallyday. The firework was on for a little more then half an hour in which we took around 6000 photos.
Photography by Albrecht Gerlach albrechtgerlach.com
Production: Tatiana Pereira @ Alta Media Productions
5DmkII for rent in Paris: photocinerent.fr
Monday, December 13, 2010
Aurora Borealis Timelapse
Aurora Borealis Timelapse: re-blog from TheCoolist

Photographer Tor Even Mathisen captured the Aurora Borealis over Tromso, Norway in a stunning timelapse video. This surreal act of the elements, perhaps Nature’s most magical, dances across the Norse skies in Mathisen’s frame. The Aurora Borealis is something we at TheCoolist hope to see before we expire.
Tuesday, July 6, 2010
AT-AT Day Afternoon
AT-AT Day Afternoon: from Computer Love

In this short film from Patrick Boivin — AT-AT Day Afternoon — the French-Canadian filmmaker waxes nostalgic on what it would be like if an AT-AT Walker were man's best friend. 'When I was a kid, there were two things I wanted badly and never got,' Boivin says. 'A real dog and a Kenner AT-AT Walker.' Check out the video below.
BIG BANG BIG BOOM - the new wall-painted animation by BLU
These guys probably have no jobs and plenty of time for sure...
Thursday, June 17, 2010
Saturday, May 15, 2010
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